The tradition of performing Handel’s Messiah at Principia College is more than just a musical event; it is a profound reflection of Principia’s tight-knit community and rich spiritual heritage. This year’s choir and orchestra performance of Messiah revived a cherished holiday tradition of bringing together scholars, faculty, staff, and other members of the Principia community in a shared expression of joy, hope, and unity.
Since 1932, Messiah has been an integral part of Principia’s musical tradition. The excitement surrounding the event was palpable as word spread through the community about the upcoming performance, underscoring the spirit of collaboration that defines Principia College.
The choir, which included members from all corners of the globe, was a testament to the diversity that makes Principia’s community so unique. Choir and orchestra director Dr. Joe Van Riper (C’05) remarked, “There’s something uniquely powerful about bringing together people from such varied backgrounds to create a universally and spiritually uplifting performance for our wonderful community.”
In addition to the choir, the performance featured a talented orchestra, whose members were equally invested in the spirit of the music, with Dr. Rose Whitmore accompanying the performance on the majestic Casavant pipe organ and harpsichord. The orchestra performed Handel's masterful solo, choral, and orchestral movements, including the iconic “Hallelujah Chorus” and the serene “Pastoral Symphony.”
One standout moment was the performance of student soloist Arnold Kalala (C’25), a senior from the Democratic Republic of Congo, whose powerful vocal solo in "The Trumpet Shall Sound" added a brilliant layer to the performance. Accompanying the movement was an exquisite trumpet solo performed by sophomore music major Gui Klann Milla (C’27) from Brazil. Another highlight was Krista Klava-Bumane (C’25), a senior music major from Latvia, who beautifully sang "He Shall Feed His Flock” with the amazing guest countertenor Keith Wehmeier.
As Van Riper noted, “The music speaks for itself, but the message of Messiah is one that transcends time. The Biblical texts from thousands of years ago still ring true for who we are and of the beauty, comfort, strength of faith, and community.”
Ultimately, the performance was a celebration of not just the music, but the community it created—one that is deeply rooted in the spirit of Christmas. It reminded everyone involved about the power of coming together, united in purpose and faith, and the enduring message of love, hope, and redemption that Messiah so beautifully conveys.